After living and working in Mexico as an audio engineer in my own recording studio, moving to Berlin opened a new chapter for me. Here, I started focusing more on sound design—collaborating with directors, working on films, and diving deep into the art of creating soundscapes for images.

For me, this shift felt very natural. My music has always been visual in some way, so sound design became an extension of how I already compose and think about sound. I’ve always loved films, video games, and visuals in general, so figuring out the right audio for a scene or a piece is something I truly enjoy. I also love direct sound recording, capturing authentic sounds on set, which gives me another layer of creative control and brings an organic feel to the final mix.

Over the years in Berlin, I’ve also polished my music composition and production skills. This has helped me not only create original music for visuals but also bring a more professional and refined approach to the audio assets I design. Whether it’s subtle or complex, music, sound design, and direct sound always work together in my process to support the story in the best possible way.

Some of the projects I’ve been part of have even found their way into international festivals and competitions, including the Morelia Film Festival in Mexico, Oftálmica in Latin America, and the Deutsche Bank Macht Kunst City Video Future Awards in Berlin.